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I HIATUSED BUT I CAN STILL DO THIS
Interactive SotU/whatever whatever heart room ganking.
ASK ABOUT AN ASPECT IN ACEDIA OR AERIS'S LIFE or a relationship and I'll give you a symbolic item or room to dick with. I will probably be playing with this on and off this week even when on hiatus so \:D/;; ...
ASK ABOUT AN ASPECT IN ACEDIA OR AERIS'S LIFE or a relationship and I'll give you a symbolic item or room to dick with. I will probably be playing with this on and off this week even when on hiatus so \:D/;; ...
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One of them is social acceptance, one is internal morality, one is expectations -- basically a lot of the secondary social emotions and functions are somehow tied to Souya!
And frankly a lot of them were either inactive or bombed. The partial organization is due SORT OF to Souya's influence -- and if you do enough investigating in this part a very young Acedia will show up and start organizing/taking care of stuff. THIS IS HIS INTERNAL REGULATOR. . . . it isn't very effective on other parts of the self yet, but it tries hard.
The bookssss are mostly behaviours and expectations. There is like A STACK ON MURDER and there is a stack of books on violence. They are not mingled. But some of the books are mixed up. Like the caring books (or books with moments of caring in them) are scattered everywhere. There's a murder book in the love pile, and the fear books have been torn to shreds and their pages are stuck in other books. Backstabbing is in the wrong pile. SO FORTH AND SO ON. Super mixed up. Because Acedia's perceptions and organization of what's expected of HIM are mixed up. There is also a past/present/future actions pile.
TREES... One is Mukuro's and one is Acedia's. It is impossible to tell which is which and I am not telling you.
The furniture doesn't have a lot of meaning by itself, but it adds to the chaos and like. It's impossible for other heart citizens to fully live in the Souya-space while it's a mess.
I am also not telling you the unexplored areas :T
OH YEAH AND THERE IS STUFF WITH THE SUN AND ROOF AND CRAP.
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